Tuesday, October 20, 2015
Fujifilm has finally done it. Like the Leica M lens model, sell multiple versions of the same focal length but at different maximum apertures. This is a smart decision. Leica has done this and the formula has worked for them for over 60 years. Can Fujifilm pull it off? They can with the 50mm equivalent focal length of 35mm on a cropped APS-C sensor. The venerable XF35mm f/1.4 is probably the best selling prime lens in the Fujifilm x-mount line-up, and for good reason. It’s sharp, compact, and reasonably priced. With the announcement of the new XF35mm f/2 R WR, Fujifilm has matured their lens choices for prime lens shooters. For those who wish for a slightly lighter, slightly more compact, and a weather-sealed body at a 50mm equivalent (at a lower price point as well), the new XF35 f/2 R WR is a solid lens.
Sunday, October 4, 2015
|'The Photographers'. Instagram images taken with my iPhone 5s.|
Monday, September 21, 2015
|'Chinatown 2014' taken entirely with iPhone 5S|
To start off, I'm very sorry for not updating my blog in such a long time. Many of you who have followed me for the past few years know that I've used this blog as my primary means to review cameras and share my photographic thoughts. I will still continue to do so on a redesigned website that will be cleaner and easier to navigate. I have also started posting most of my reviews on YouTube so check it out if you haven't already done so. Eventually my YouTube reviews will be released at the same time as my written reviews with images, but that won't be for a few months yet.
In this very quick article, I want to talk about Instagram as a serious platform for sharing images. I know Flick'r has long been the king for us photo nerds to share and consume images, but here's a few compelling reasons why I use Instagram as my professional portfolio for my photography:
Friday, July 10, 2015
Sunday, May 17, 2015
Fujifilm Canada contacted me a few weeks back. The title of the email: Shhhhhhh! They were wondering if I was interested in reviewing a pre-production model of the latest X series camera, the X-T10. I've always preferred reviewing production ready cameras so I could immediately see the final image results (you can not post pre-production images, plus the firmware is rarely if ever finalized). However, I knew it would basically have the same sensor as the X-T1, X100T and X-E2, plus I was super curious about the new baby brother to the X-T1. I wanted to know how it would feel in the hands and how it would shoot on the street. This was the most important thing I wanted to test anyway, so I decided I would take up the offer and play around with the pre-production X-T10. What did I think?
Saturday, March 14, 2015
Monday, February 16, 2015
|1/350th sec f/4.0 @ ISO 400. Classic Chrome jpeg. To Kwa Wan, Kowloon, Hong Kong|
I've had the Fujifilm X100T for almost 4 months and I've really come to appreciate this unique little camera. It's small in stature but very large in capability. Many new X100 series owners have abandoned their DSLRs and ILCs for this camera. Why? It costs more than many DSLR and mirrorless ILC kits, even though this fixed lens, APS-C sensored point and shoot (ok, that's a bit of an over-simplification) has less features, less megapixels and slower autofocus. For example, the Sony A6000 is less than half the price of the X100T ($598 vs $1299 as of Feb 2015), same size sensor, better specs, faster AF, interchangeable lenses, and will destroy the Fuji when it comes to video recording. I know others that have very expensive and powerful DSLRs (Canon 5D mark III) and insane lenses, and yet will still choose to shoot with their X100T instead. Does this make any sense? Yes.
Friday, February 6, 2015
It's not every day you can corner an interview with the president and vice-president of Fujifilm Canada without it being at a big photo industry tradeshow or event. Even then, there would be a line-up of bloggers and more established channels of media who want a piece of these Fuji Guys. Lucky for me that the new Fujifilm president Ryuichi (Richie) Matoba and vice-president Greg Poole (Fuji Guy) were in town to do a photowalk and I was invited as a special guest, as well as the other local X-Photographers. It was hosted at Revolver Coffee in historic Gastown (we did our last Leica Akademie there in the summer) and this was the opportunity I was waiting for. I had about 20 minutes before the event to ask questions concerning the photo industry in general, as well as specific questions concerning Fujifilm's X Series of cameras. He's a quick rundown of the conversation...
Monday, February 2, 2015
|1/1100th sec f/1.2 @ ISO 400. Classic CHrome Jpeg|
In fact, this apodized lens by Fujifilm is the same technology that Minolta introduced on their 135mm STF lens in the 90's (although the Minolta could alter the secondary aperture to change the bokeh), further proving my connection between Minolta and Fujifilm. How effective is this APD technology, and is it worth paying an extra $500 to get it? Let's find out
Thursday, December 18, 2014
|Fujfilm X-T1 Graphite Silver with XF56mm f/1.2 APD. 1/2400th sec f/1.2 @ ISO 3200. Classic Chrome jpeg|
I'm Japanese and I've never liked the word 'bokeh'. Yes, Japanese are famous for making up words (karaoke, emoji, cosplay, anime), some work, some are just weird. Shallow depth of field sounds a bit too technical for such a subjective 'quality', so someone had to come up with a better word. I guess 'bokeh' will just have to do for now, although I wish the Germans or Italians came up with a term first. Not only am I not fond of the word, I'm not fond of the pursuit of it, as if bokeh is somehow intrinsic to a good picture. In fact, as a street photographer I almost avoid it. I typically shoot F/8 and 1/750th of a second and I focus on composition and the decisive moment.
When Fujifilm asked if I wanted to review the new XF56mm f/1.2 R APD lens, they assumed I would say no and I assumed I would say no as well. However, after looking at some pre-production images, I was intrigued (check out this link and this one as well). There was something about the out-of-focus area that was... should I say 'bokehlicious?' I wish I didn't type that...